Edgefield pottery marks

Marks and Decorations at the John Landrum Pottery Site. Paperback – September 14, 2014. In the Old Edgefield District of South Carolina alkaline glazed stoneware was made at the pottery of Reverend John Landrum in the first half of the 19th century. He was joined there by his son, B.F. Landrum, son-in-law Lewis Miles, and enslaved workers ...

Early Edgefield 1 gallon jug likely from Rev. John Landrum site or Pottersville. No chips cracks or repairs. The surface of the glaze appears underfired or speckled as can be seen in the pics. NarrowEdgefield pottery jar, ovoid with mottled alkaline glaze, notched rim (under glaze), shoulder with two large circular impressed marks with three smaller dots (attributed to Dave the Slave, 1780-1866), 13-1/4 in.Feb 7, 2024 ... In the early 1800s, people living in the Edgefield region of South Carolina took advantage of this natural resource to become a major hub for ...

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Arranged in roughly chronological order, the vessels offer visitors a unique overview of Chandler’s evolution as a ceramic artist as his career shifted from that of journeyman to pottery owner ...Edgefield Pottery (Marked Inverted V) Early Pottersville Jug Stoneware C 1820. This piece is from the Pottersville Site in Edgefield S. It was turned 1820 give or take 10 years. Marks- it has an inverted V on the shoulder. Deep mark and covered with glaze. It also has another mark on the shoulder, it is a horizontal linear mark under the glaze ...Employing a database of pottery marks, this article examines the types of marks employed in the Edgefield District, their locations, their use as indicators of pottery manufacturer or individual ...In the Old Edgefield District of South Carolina alkaline glazed stoneware was made at the pottery of Reverend John Landrum in the first half of the 19th century. He was joined there by his son, B.F. Landrum, son-in-law Lewis Miles, and enslaved workers, including a man named Dave, who probably served as a turner.

From Edgefield County to Fifth Avenue, David Drake’s pottery is bringing the antebellum South to modern day New York City. Drake, also known as Dave the Potter, was born in 1801 and spent the ...Welcome to The Marks Project, www.themarksproject.org, A Dictionary of American Ceramics, 1946-present. Our website includes marks (stamps, chops and/or signatures, etc.) usually found on the bottom of ceramic objects created by potters, ceramic artists and sculptors. We welcome your feedback on the website, its search functions, and appearance.Edgefield pottery is specific to the factories it was created in and the communities that crafted it. Known for earthy brown alkaline-glazed tones, the pottery was produced on a mass scale and distributed throughout the United States. Much like Tupperware in people’s cupboards in recent decades, Edgefield stoneware was often used for utility.High Estimate: $1,200.00. Realized: $1,536.00. Share this: Possible South Carolina, Edgefield District, Slave Made stoneware pottery storage jar, light and dark brown alkaline glaze with applied lug handles. Two (2) incised cross marks to the right of one handle, associated with Dave Drake and the Lewis Miles Pottery. 13 3/4" H. Mid-19th century.J. G. Baynham was a Virginia native who opened a pottery in the Edgefield District in 1865 (Baldwin 1993:11–114; Newell 2002). He was not a potter, leaving the work to his sons Mark and Horace. Mark moved to North Augusta and opened the South Carolina Pottery in 1910.

Edgefield’s most renowned potter, Dave Drake, aka Dave the Potter, or more commonly just Dave, began his pottery journey shortly after the turn of the 19th century. “Dave was born about 1801,” said Guy. “He would have learned about the age of 10 and we know he continued into his 70’s.”. Over the course of his lifetime, Dave created ...Southern folk potters also made animal figures. Southern folk pottery is collected chronologically, regionally, by potting family, by individual potter, and type. Chronological divides are: (1) 1840 to 1880; (2) 1880 to 1920; (3) 1920 to 1950; (4) 1950 to 1990; and (5) post-1990. Chronological divides are difficult because many potters worked ...…

Reader Q&A - also see RECOMMENDED ARTICLES & FAQs. Up for auction is a very nice Southern Edgefield Sout. Possible cause: Welcome to The Marks Project, www.themarksproject.o...

Magnolia Dale House Museum. 320 Norris Street. Edgefield, SC 29824. 803-637-2233. Open by appointment. The Magnolia Dale House Museum is an 1843 plantation home which houses numerous portraits, furnishings and artifacts related to the history of Edgefield County and its people. It has been operated by the Society since 1959.May 28, 2021 - Feb 13, 2022. Stoneware Stories. Folk Pottery of Edgefield, South Carolina. The Deep South has a unique place in the history of American ceramics. In the …

The birthplace of Southeastern Stoneware? Some is considered a "non-translucent porcelain" and rings when struck (see great and noblr jar ch1p3 for more detail). Regarding handles: "Most early Edgefield District potters used strap handles that were rounded in cross section. One exception to this rule was Edgefield potter Thomas Chandler. Chandler used a thinner, ribbed handle that is roughly ... The most accurate way to identify a fake Weller pottery mark is to compare it to the photographs in a reference guide. Some pieces of Weller pottery have marks stamped in ink, whil... An 1870 federal census listed David Drake, age 70, as a turner still making pottery near Edgefield. Alas, it was the last time he was ever recorded. Cohabitating with one Mark Jones, also listed as a “turner, age 35,” it’s possible that Dave spent the last few years of his life teaching a fellow potter to carry on his legacy.

cornell university online masters Drake was an African American potter known for the massive signed stoneware he crafted in nineteenth-century Edgefield, South Carolina. anvil square basementrv park franklin tn Stretch marks, also known as striae, are scars that appear on various parts of your skin, primarily around your stomach, thighs, hips, breasts, upper arms, lower back and calves. P... crumbl cake batter blondie David Drake (Dave the Potter) for Lewis Miles Pottery. Rare storage jar. 1855, alkaline-glazed stoneware. 14 h × 12 dia in. result: $68,750. estimate: $75,000–95,000. Large incised signature and number to body ‘Dave Decr 11 1855 Lm ’ with two incised slashes and four dots, indicating a storage capacity of approximately four gallons.Dave created modest jugs—more typical of Edgefield pottery manufactories’ output—as well as uncommonly large storage jars with a forty-gallon capacity. His pottery features the green-brown tones of the site’s distinctive alkaline glaze, made from area lime or wood ash. ... “• Mark and / • —Dave— / L • m • March 10 • 1859 ... mia regazza of marshfieldweather jackman mainewalla news english Instant price guides to discover the market value for EDGEFIELD POTTERY. Research the worth of your items without sending photos or descriptions Pricing Guides & Dictionary … what does judge jeanine's daughter do Edgefield, South Carolina. This wheel-thrown, alkaline-glazed stoneware bowl was made around 1845 by Thomas Chandler (1810-1854). ... Ohio Pottery and Glass: Marks and Manufacturers. Des Moines, IA: Wallace-Homestead Book Co., 1978. Peck, Herbert. The Book of Rookwood Pottery. New York: Crown Publishers, 1968. Purviance, Louise; Evan …More often, pottery in Edgefield bore the stamped mark of an operation’s white owner but not the names of Black artists. Drake hand carved such a mark onto this jar by adding the initials “LM” of his enslaver at the time, Lewis Miles, alongside the date on which the jar was made, November 9, 1860. Carving his own name boldly beneath this ... costco fairfax pharmacyculberson funeral home nbterralodge treehouse resort An introduction to Lewis Miles, owner of the enslaved potter Dave, a look at the Miles Pottery locations, and the loss of two of the most important sites in ...Source eBay. This large, attractive, and very heavy lug-handled light-colored yellow-green Edgefield churn is marked with three slashes to the shoulder (See Cinda Baldwin's GREAT AND NOBLE JAR, pp. 40, 41, and 78, in reference to slave potters' use of the slash mark). The piece looks double-dipped, with glaze runs from the top midway down the ...